Campagne de collecte 15 septembre 2024 – 1 octobre 2024 C'est quoi, la collecte de fonds?

Still Moving: Between Cinema and Photography

Main
Still Moving: Between Cinema and...

Still Moving: Between Cinema and Photography

Karen Redrobe (editor), Jean Ma (editor), Tom Gunning (editor), Timothy Corrigan (editor)

0 / 4.0

Avez-vous aimé ce livre?

Quelle est la qualité du fichier téléchargé?

Veuillez télécharger le livre pour apprécier sa qualité

Quelle est la qualité des fichiers téléchargés?

A collection of essays that discuss the relationship of film and photography, with a focus on medium specificity.

Année:

2008

Editeur::

Duke University Press

Langue:

english

Pages:

323

ISBN 10:

0822391430

ISBN 13:

9780822391432

Fichier:

PDF, 4.69 MB

IPFS:

,

english, 2008

Lire en ligne

La conversion en est effectuée

La conversion en a échoué

Cela peut vous intéresser

Jaimie Baron — The Archive Effect: Found Footage and the Audiovisual Experience of History

David Bate — Photography after Postmodernism; Barthes, Stieglitz and the Art of Memory

David Bate — Photography after Postmodernism; Barthes, Stieglitz and the Art of Memory

David Bate — Photography after Postmodernism; Barthes, Stieglitz and the Art of Memory

Hausken, Liv (Ed.) — Thinking Media Aesthetics: Media Studies, Film Studies and the Arts

OTTO, Elizabeth; ROCCO, Vanessa. — The New Woman International: Representations in Photography and Film from the 1870s through the 1960s

Eivind Rossaak — Between Stillness and Motion: Film, Photography, Algorithms

Saltzman, Lisa — Daguerreotypes

David Bate — Photography after Postmodernism; Barthes, Stieglitz and the Art of Memory

Andrew Fisher David Cunningham & Sas May — Photography and Literature in the Twentieth Century

Noa Steimatsky — The Face on Film

J.J. Long, Andrea Noble, Edward Welch — Photography: Theoretical Snapshots

Saltzman, Lisa — Daguerreotypes : fugitive subjects, contemporary objects

Lisa Saltzman — Daguerreotypes: Fugitive Subjects, Contemporary Objects

Vacche, Angela Dalle(Editor) — Film, art, new media museum without walls?

Patrice Petro — Fugitive Images: From Photography to Video (Theories of Contempo)

David Campany — The Cinematic (Documents of Contemporary Art)

Jonathan James Long — Photography: theoretical snapshots

Jonathan James Long, Andrea Noble, Edward Welch — Photography: Theoretical Snapshots

Natalie Edwards (editor), Amy L. Hubbell (editor), Ann Miller (editor) — Textual and Visual Selves: Photography, Film, and Comic Art in French Autobiography

Karen Beckman, Liliane Weissberg — On Writing with Photography

Jean Ma (editor), Karen Beckman (ed) — Still Moving: Between Cinema and Photography

Fullerton, John(Editor);Widding, Astrid Söderbergh(Editor) — Moving Images: From Edison to the Webcam

No?l Carroll, Jinhee Choi — Philosophy of Film and Motion Pictures: An Anthology

Michele Aaron (ed.) — Envisaging Death: Visual Culture and Dying

Marion Schmid — Intermedial Dialogues: The French New Wave and the Other Arts

Marion Schmid — Intermedial Dialogues: The French New Wave and the Other Arts

Ágnes Petho — Caught In-Between: Intermediality in Contemporary Eastern European and Russian Cinema

Ágnes Pethő — Caught In-Between: Intermediality in Contemporary Eastern European and Russian Cinema

Kim Knowles; Marion Schmid — Cinematic Intermediality: Theory and Practice

Libby Saxton — No Power Without an Image: Icons Between Photography and Film

Libby Saxton — No Power Without an Image: Icons Between Photography and Film

Jihoon Kim — Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age

Carrie Collenberg-González (editor); Martin P. Sheehan (editor) — Moving Frames: Photographs in German Cinema

Neil Campbell, Alfredo Cramerotti — Photocinema: The Creative Edges of Photography and Film

David Bate — Photography after Postmodernism: Barthes, Stieglitz and the Art of Memory

Mots Clefs